Herriot + Melhuish Architecture Ltd - Waimarama House

Herriot + Melhuish Architecture Ltd

Waimarama House

Shifting Tides - Strongly connected to the land and surrounding beachside - a prime example of the new beach house vernacular in New Zealand - Herriot + Melhuish have created a holiday home that's prepared to move, if the sands and tides shift against it.

Overview
Having recently picked up a New Zealand Architecture Award for 2008/9, this house exemplifies the latest in bach design. Not forgetting its heritage, the house uses traditional materials, in a befitting contemporary manner. Horizontal wethearbords, plywood and sheets of iron roofing were the mediums for many a handyman around coastal New Zealand, used to create simple holiday huts.

Today, the same materials have produced this modern wonder. A comfortable 4 bedroom home, with sheltered outdoor spaces and an upstairs retreat from entertaining for the owners.


Far from it's simple forebarers, this is a house where the living is easy. sheltered summer decks, outdoor showers, simple flow to the outside of the house and plenty of room for extra guests to camp out.

Brief
The client sought a family house on the beach, with four bedrooms plus studio and study. In this coastal setting, sun, views and habitable outdoor spaces alternately protected from and catching sun and wind were a priority.

Site
Located close to the beach and fronting the Waimarama domain, the site is constrained both in size and by the need to relocate the house if required. Set against these constraints is a spectacularly open landscape - the edge between sea and hills, and a relaxed aesthetic of a small beach community.

Design Approach
The design approach combined a rational geometrical sensibility with a romantic attachment to the land and tradition. Hence a simple composition of two interlocking volumes: a white bedroom wing, loosely derived from the repetitious plan of 'shearers quarters', inserted into a double height 'timber 'crate'.

The forms are then extended, layered and truncated in response to site, views, sun and programme. The resultant north-facing courtyard not only leads to the front door but also provides outdoor family space – strongly connected to the house and sheltered from the afternoon sea breezes. Visual connection through the house and to the landscape was a key driver of the design. In the main bedroom upstairs, capturing the full drama of the sunrise and the expansive views from Cape Kidnappers to Bare Island were significant.

More than just a 'beach house', this is an all-year round dwelling. However, the need to relocate the building if required ruled out concrete construction. Instead high levels of insulation, heat pump technology and solar panels on the roof, augment the large double glazed openings that capture sun and trap heat in winter, but cool through sea breezes in summer.

The composition of natural oiled cedar weatherboards, painted plywood and weathered zinc sheet both connects the house to the landscape and some older local traditions, but equally clearly sets it apart from a lot of the local built context. This is a house strongly connected to the land but prepared, if the sands and tides shift against it, to move.

Slideshow

Architect Herriot + Melhuish: Architecture Ltd

Project team John Melhuish, Max Herriot, Oliver Markham
Contractor Mark Dawson
Photographer Paul Brimer
Google Location

Plans

via: Herriot + Melhuish Architecture Ltd

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Studio di Architettura Marco Castelletti - Casa del Masso

Studio di Architettura Marco Castelletti

Casa del Masso

Razionalismo Comasco - A near vertical site in Como, with stunning views, let Marco Castelletti nod to local Italian architecture of the thirties, whilst bringing his clients a modernist house, proportioned and segmented with precision.

Overview

"At the end of 2002 the clients approached us to design the house.
They wanted to build this new house next to their one, in the garden facing the lake, and they were after something typically razionalismo comasco, architecture of the thirties driven by architect Giuseppe Terragni. So they chose the project that best met their expectations, ours. The project's main idea gave the name to the building: casa del masso." Marco Castelletti.
The house, set on a steep slope above the street, can be clearly seen across the lake.
The building stands by the side of the client's old house designed by engineer Luciano Trolli in 1955, and it takes advantage of a little tract of flat land, as does the original residence.
The house is linked to the street by a long flight of steps which wind along the slope and down to the house, which is organised over two floors.

Layout
The composition is based on the intersection of two volumes:
The first - facing the lake, is an horizontal structure supported by pilotis houseing all the living and bedrooms.
The second - is vertical holding the staicase and the services rooms.

On the first floor the living room crosses the house and is directly connected with the slope behind. Here the presence of a erratic boulder, in italian language "masso" (here is where the name of the house comes), protrudes into the dwelling as the characterising element of the space, so that it seems that the house is anchored to the slope at this point.
The boulder can be seen through the glass floor of the living room.

From the parking area you reach the main entrance via a flight of steps or an elevator running on the side of the garden.
After reaching the main entrance a footpath covered by a overhanging volume introduces a little hall where you can see the landscape and the monuments of the city.
From here, a large staircase takes you to an atrium with the large glass window which frames the erratic boulder. The internal layout of the main dwelling faces the kitchen, the living room and some other rooms towards the lake, while bathrooms, services and the laundry are put towards the slope.

The materials used to build the house enhance the volumetric composition and the difference between the horizontal volume, suspended and completely covered by white marble dust plaster, and the vertical covered with a natural stone called Iragna, laid down in horizontal layers with different length and thickness.

The same stone was used for the external pavements, the main entrance staircase and the terrace floor on the highest level.

The large windows are divided in sliding parts with electrical rolling shutters made of aluminium.

Solar exposure is optimised wit hteh building orientated with its largest windows and rooms to the south, and services and bathrooms facing north.

ResultsThe clients were really satisfied of the project and followed all the phases of the building that, because of the particular nature of the steep land, involved many challenges.
The crane to build the house was placed on the slope with an helicopter used to transport heavy weights. None the less, the house was completed in seventeen months, from May 2003 to December 2004, as stipulated.


Slideshow

Architect Marco Castelletti Architetto
Short Biography
Marco Castelletti, born in 1958, graduaded from the Facolty of Architecture in Genova on 1983.
In 1994, 1999, 2001, 2003 and 2005 was awarded the architecture’ s award “Magistri Comacini” for works carried out in Provincia of Como and in 2004 the international award AR+D for emerging architecture in London.
In the spring of 2005 he was invited to give a lecture at the Royal Institute of British Architects in London.
He won many competitions for urban renewals in north Italy, as the upgrading of the Trieste waterfront, and from 1998 he has been invited to international competitions.

Project location Como Italy
Client private owners
Architectural design by Studio di Architettura Marco Castelletti
Interior design by Studio di Architettura Marco Castelletti
Landscape design by Studio di Architettura Marco Castelletti
Structural design by Ingeneer. Vittorio Montanini
HVAC design by Ingeneer. Vittorio Montanini
Lighting design by. Zumtobel
Main Contractor Impresa Biacchi s.a.s. – Plesio (Co)
Landscape contractor Impresa Biacchi s.a.s. – Plesio (Co)
Site Area 3000 sq/mt
Built up area 200 sq/mt
Budget 750.000,00 euro
Cost per sq. metre 1.800,00 euro
Google Location

Plans

via: Studio di Architettura Marco Castelletti

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Clinton Murray - Gunyah Residence

Clinton Murray

Gunyah Residence

Solid as a rock - A challenging section on Gunyah beach in Bundeena, forced Clinton Murray to rethink the vernacular (perhaps simple) Australian beach side house and create a resilient coastal retreat. Built to last forever.

Overview
Huge boulders throughout the cliff side, would have made slapping a wooden prefab house on the top of the plot the easiest option. Choosing instead to hide the house well down the plot near the breaking shoreline, posed challenges, yet rewarded both the architect and owners with stunning results. It also appeased the planning officials and nearby residents.

"The linear site is divided midway by a massive rock face, defining two distinct levels. The natural, sheltered enclave at the base of the rock face is where we believed the building belonged."

Tucked into the hillside, the copper clad roof has set out to weather itself in the ocean green shade of the bay beyond, further minimising the impact of the building for neighbours above.

Combined with the weathered copper is the solid base of the house. The ground floor living structure, of textured off-form concrete made with horizontal board forms, gives the impression of weathered timber, which contrasts with the fresh browns of the Oregon sleeping quarters and gallery above.

Building on a series of staggered rock platforms, the logistics of site management for labour, plant & equipment was challenging. All materials had to be craned in or manhandled from the top of the site, or from the beach front below. The entry stairs and concrete bridges required innovative reinforcement and form work solutions to achieve both continuous spans and the appearance of thin concrete blades hovering above the site. These thin blades continue inside with kitchen bench tops and bathroom surfaces formed on site of ultra thin jet black concrete.

Layout
To reach the timber front door, you negotiate the rock face via timber steps that weave through the boulders. Crossing a bridge that leads to a discreet front door you push open an oversized panel to reveal the high stud gallery. Strategically orientated, the full height end window of the gallery frames a nearby palm. Everything is overscale, stretched vertically, to relate to the magnitude of the cliff face behind the building site. Here, the reused Oregon timber stands vertical, allowing the seams to disguise two door panels, behind which hide two of the three master bedrooms. Each with, en-suite, balconies and outstanding views across the bay.




Heading down the hillside, you arrive at the main living quarters, housed in that heavy masonry base of textured off-form concrete. As with the rest of the house, glass front windows bathe the room with light, yet here, in contrast, the kitchen area to the rear and cubbyhole rooms, are lined with dark black concrete floors and bench tops. The darkness providing refuge from the summer heat, and mimic the caves often found tucked into cliffs around the Australian coast.

Also taking notes from nature the orientation of each level shifts as you rise up the cliff face. Thus forming fronds like the nearby palms, and allowing the building to sit back, minimising it's visual impact from the shoreline.

Results
"The house sits with its toes touching the sea and with an exposed worn rock face at its back, both constant reminders of the power of wild storms blowing in from the north-east. And should the big seas come, this house is a safe haven, no question about it."

Slideshow

Architect Clinton Murray
Project team Polly Harbison (Project Architect), Tanja Klocker, Jeff Umansky
Project Gunyah Beach House
Location Bundeena, New South Wales
Google Location
Builder Bellavarde Constructions
Structural Engineer O’Hearn Consulting
Landscape Architect 360 degrees
Photographer Simon Kenny

Plans

via: Many thanks to Clinton Murray

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Top 10 ish - Modern Residential Design - 1 year old

As Modern residential Design celebrates its belated birthday, I thought I bring you couple of Top 5s whilst preparing for the arrival of my second son.

Top 5 Posts on Modern Residential Design

And here's the traffic / commented / linked list of what you guys thought was coolist!

Arthur Casas - House in Iporanga

A true Tropical Jungle residential retreat. Minimalist, contrasting, yet befitting it's location.

Marcio Kogan - Laranjeiras House

My ideal beachside mansion, open plan, indoors and outdoors blurred, simple palette and spashes of colour.

Marcio Kogan - Mirindiba House

Amazing spans that defy gravity, cavity hidden doors, texture, colour and ahhh.

Melling:Morse Architects Ltd - Split Box

Hometown favourites from my university days, Melling:Morse are the masters of timber in New Zealand.

Arkhefield - Balaam House

Flow, privacy, segmentation of rest and action areas, scaled to fit with its neighbours and what links to exterior spaces.

Jonathan Segal - The Prospect

From the Paladin of affordable Modern Residential Design, I love seeing Jonathan mentoring others to create stylish buildings you can actually live in.

Top 5 Online Architecture Compatriots

Some of the guys that give me drive & motivation to keep hunting out cool modern design.
Many thanks for the links / diggs / stumbles / emails and support guys!!

Materialicio.us

www.materialicio.us

Contemporist

www.contemporist.com

Plataforma Arquitectura

www.plataformaarquitectura.cl

Arch Daily

www.archdaily.com

Arkinetia

www.arkinetia.com

Noticias Arquitectura

www.noticiasarquitectura.info

OK, 6, it was hard to make it so short.

Hope you enjoy - new residences coming soon!

Thanks to all my loyal followers too! New content coming soon I promise!

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David Hertz - Studio EA - Floating Residence

David Hertz - Studio EA

Floating Residence

Suspended Tetris - David Hertz has produced a number of fantastic residences and the Floating or Binder Residence in Venice, CA is no exception. It's paired back black minimalist play on volumes and floating separated masses intrigues.

Overview
The project is located on a small, 37 foot wide lot on a pedestrian only street in Venice, CA. Rather than create one solid object, David followed his residential design signature of two, two story units. The upper levels of the units seeming to float above minimal tilt up concrete walls and pillars of the lower levels. The two upper levels being attached by an open-air bridge. The larger of the structures is used as a residence while the other is used as an art studio and guest room over a garage.

The glazed panels, central to the floating effect are also large, sliding doors that conceal themselves so that the ground floor appears to be open to the exterior courtyards, thus blurring the definition of interior and exterior spaces. A large 2-story chimney wall frames the rear of the courtyard while blocking the overlooking 2-story neighbours. The exterior fireplace at the second floor flanks an outdoor sleeping porch and seating area off of the perforated breezeway bridge. Ipe, and black steel are used throughout the house to complement the Syndecrete® prefabricated concrete panels.

Walls on the first floor are intentionally held from touching the ceiling of the second floor to allow for a clear line of site over neighbouring residences and giving the illusion that the second story is floating above the first floor. These clerestory windows also bathe the lower level in light. The mass of the second floor elevations is divided into sections of positive and negative spaces that reinforce the destabilisation of the wall plane. Some of the vertical slices are specific to selective views of nearby palm trees.

A central floating stair divides the spaces and leads to a usable roof deck framed by high solid parapet walls providing privacy and strategically edited views of the distant landscape.

A continuous skylight, that opens to serve as a shaft to facilitate stack effect ventilation, frames the stairs that float from the ceiling of the second story. The exterior walls of the second story are covered in a smooth, steel trowel, integrally pigmented, stucco. These are connected seamlessly to the interior ceiling of the first floor, their continuation internally to form one single mass, further emphasises the weight of the "floating" block above.

Slideshow

Plans

via: Many thanks to Christina at Studio EA

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MacGabhann Architects - Tuath na Mara Residence

MacGabhann Architects

Tuath na Mara Residence

Armoured Longboat - Standing vigilant over a northern Fjord in Ireland, the Tuath na Mara Residence, by MacGabhann Architects appears solid as a rock. Zinc clad for resilience, the low slung house blends seamlessly into the heather-covered rocky landscape, its own seams, echoing the strata of surrounding rocks. Contrasting a well hunkered core, the roof line warps and twists upwards like wonderful grey weathered seaweed, revealing the surrounding views to the living areas.

Overview
The project's focus around the specifics of the site and putting the personal and particular experiences above the powerful and the public, seeks to create a mood which is meditative instead of tensing or relaxing.

The site is hidden from the public road and is accessed from high ground on the landward side where the first experience is of an elevated view of the site and the sea beyond. Therefore the importance of the roof, or fifth façade, dictated a metal zinc cladding which is suitable for both walls and roof. Said façade, mimicking the seaweed found on the shores beyond. The anthracite colour of the zinc makes the building camouflage itself into the heather landscape.



The roof of both living areas is flipped and directed in opposite directions and towards particular points in the landscape and sunlight. Both living areas are fully glazed, thus embracing nature and developing a conversation with it. By way of contrast the sloped slit windows of the bedrooms act as a counter point to the absolute horizontal of the ocean horizon.

In order to emphasise the fact that the owners were embarking on a holiday each time they entered the house, the step and entry ramp at the front door is disconnected from the building thus making the visitor step over a gap not unlike stepping from the static platform onto a passing train. Thus a physical step from the day to day life into this adventurous house.

Layout
The plan form was inspired by the traditional narrow cottage and is orientated towards warm southern sun. It contains three sleeping cells and auxiliary spaces in the middle with two living areas, one at each end, connected by a library. Glazing is relative to the function of the rooms, with the centre bedrooms and auxiliary spaces horizontally glazed with small landscape framing windows, while the end living areas are wide open to the surrounding views.

The roof rain water is drained by way of gargoyles making one aware of the elements even in the lightest of showers, thus reinforcing the connection between inhabitant and nature.

Client's Comments

For us, ‘Tuath na Mara’ is wonderfully paradoxical: profoundly contextual and strikingly free-floating.

It is contextual in two senses: Firstly it speaks to the built experience of both our families, being the width of a house on the west coast that has been in the family for generations, and having the name and some of the shape of a house built by a Scottish grandparent (‘Tuath na Mara’ equally well in Scots and Irish Gaelic). Secondly it is rooted in the Donegal landscape, or more precisely in the inter-tidal seascape with which it shares its colour and, very nearly, its location. From the sea, it is virtually invisible.

But it is also free-floating, both in the way it sculpts light internally, and in the way its design is part of a cosmopolitan architectural conversation that is above national boundaries. This global-local interchange marks it out as capable of belonging only to the 21st century.

Results
MacGabhann Architects have made, as the client describes, a wonderful modern escape. With integrated reference to vernacular buildings and the landscape, without compromising aesthetics and impressive modern design, I'm confident that this is not the last we'll hear from them in great residential design.

Plans

Project: Tuath Na Mara
Architect: MacGabhann Architects
Team Credits: Tarla MacGabhann, Antoin MacGabhann, Niels Merschbrock & Barry Maguire
Completed: 2006-2007
Awards: Royal Institute of Architects of Ireland, Public Choice Award
Best house 2008 Royal Institute of Architects of Ireland, Irish Architecture Awards 2008
Photographic Credits: Dennis Gilbert - VIEW Pictures

via: MacGabhann Architects

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