Skip to main content

Crosson Clarke Carnachan Architects - Coromandel House

Crosson Clarke Carnachan Architects

Coromandel house
Looks like Arkinetia have beaten me to it, posting one of my favourite New Zealand houses.
A real Kiwi Bach!





















The house was conceived as a container sitting lightly on the land for habitation or the dream of habitation. The intention was to reinterpret the New Zealand building tradition - the crafting of wood - the expression of structure, cladding, lining and joinery in a raw and unique way.

The construction is reminiscent of the "trip" or "rafter" dams common in the Coromandel region at the turn of last century. Heavy vertical structural members supporting horizontal boarding. The unadorned natural timber, a sustainable land renewable resource, provides a connection to nature and the natural. A simple mechanism to the deck allows the "box" to open up on arrival - providing a stage for living - and to close down on departure - providing protection.

The house has a simple rectangular plan that sits across the contour in a patch of cleared bush in the manner of the rural shed, facing north and the view. The living room is open to the outside and the sun, a metaphorical tent or campsite, while the bunkrooms are enclosed and cool. The large fireplace allows winter occupation and the open bathroom and movable bath allows the rituals of showering and bathing to become and experience connected to nature.

This bach is an attempt to provide an environment to capture the essential spirit of the New Zealand holiday in the New Zealand landscape.


Worldarchitecturenews.com PDF
Via:
Arkinetia
CoolBoom
worldarchitecturenews

Comments

Popular posts from this blog

Arthur Casas - House in Iporanga

Arthur Casas House in Iporanga Thanks to Arthur, Kelen and the team at Arthur Casas , I’ve received an early Christmas present to share with you all. The Immaculate “House in Iporanga” and a new addition to tags, Architect’s Own Houses. “I always wanted a house in the middle of the forest, in a place where I could relax and recharge my energy”, says Arthur. In the form of two large symmetrical cubes embracing an open space, this house was idealised as his dream house. Arthur’s aim was interiors in total synergy with exteriors. Bringing the outside in are 11 meter floor to ceiling glass windows, on both ends of the open central space. Cumaru wood paneling runs from top to bottom in an attempt to match and blend in with is beautiful surroundings “…as if this were ever 100% possible” admits Arthur. As the Cumaru extends into the house, sterile white stucco contrasts, highlighting the wood’s warm color. This simple brown and white palette provides a nice canvas for interesting/...

Andrew Lister - Hughes Kinugawa House

Andrew Lister Hughes Kinugawa House Overlooking an estuary in Waterview, Auckland, New Zealand, this house has great northern views out over the bay. Like its owners, a wonderful blend of Japanese and New Zealand culture the house sings compact Japanese simplicity with a green Kiwi bach twist. Inconspicuously blending in with the surrounding garden of imported succulents, cacti and mature local trees, the raw cedar weatherboards are a greener take on the vernacular white weatherboard planks common throughout NZ. The house consists of two cubes, connected by a wide corridor housing the bathroom and toilet. The bigger brother of the two cubes holding: the eat-in kitchen, living come library and a guest loft above. Double height windows bathe the living area with light, complementing the dark bookshelves and making an optimum reading nook for the couple, which are obviously book fanatics. This part of the house, designed for guests and entertaining has a slightly more Kiwi feel about it...

Hiroaki Ohtani - Kobe Layer House

Hiroaki Ohtani Kobe Layer House Continuing the last posts stripy theme, which is about all these houses have in common, despite the Japanese link. This is Hiroaki Ohtani solution to infill in Japan. The house is made up of pre-cast concrete strips, stacked unevenly to allow stairs, furniture and floors to be inserted in the gaps. It's tight, claustrophobic, yet entirely open. There are no internal doors, apart from the sliding doors to the toilet. Passing the tree in the courtyard, that brings irregualar form to this oterwise linear exterior, you enter on a landing, where you can either traverse to the bedroom, or head downstairs to the basement where a formal dining room and bathroom are housed. Climbing up you reach the living room and galley kitchen with a steep set of stairs taking you to the roof deck, of which half is a glazed panel to bathe the main stairwell with light. The front of the house is a larged glass panel to let more light into the house and the r...